{"id":1856,"date":"2014-06-01T21:43:13","date_gmt":"2014-06-01T21:43:13","guid":{"rendered":"https:\/\/archee.uqam.ca\/?p=1856"},"modified":"2022-11-30T21:43:25","modified_gmt":"2022-11-30T21:43:25","slug":"juin-2014-lignes-introductives","status":"publish","type":"post","link":"https:\/\/archee.uqam.ca\/juin-2014-lignes-introductives\/","title":{"rendered":"Juin 2014 – Lignes introductives"},"content":{"rendered":"\n
Pour nos lecteurs d\u2019outre-mer, Arch\u00e9e tient \u00e0 souligner qu\u2019en ce\u00a0Printemps num\u00e9rique<\/em> Montr\u00e9al est bouscul\u00e9e par de nombreux \u00e9v\u00e8nements artistiques, tels que la\u00a0BIAN,\u00a0Chromatic,\u00a0Mutek et Elektra,\u00a0Sight and Sound,\u00a0Symposium IX, etc. qui investissent Mus\u00e9es, Galeries, Centres d\u2019art, Maisons de la Culture, Institutions, Cin\u00e9math\u00e8que et Places publiques dans un parcours \u00e9clat\u00e9 entre ateliers et diffusions d\u2019\u0153uvres en tout genre r\u00e9unissant des artistes de partout.\u00a0 Pour nos lecteurs d\u2019outre-mer, Arch\u00e9e tient \u00e0 souligner qu\u2019en ce\u00a0Printemps num\u00e9rique Montr\u00e9al est bouscul\u00e9e par de nombreux \u00e9v\u00e8nements artistiques, tels que la\u00a0BIAN,\u00a0Chromatic,\u00a0Mutek et Elektra,\u00a0Sight and Sound,\u00a0Symposium IX, etc. qui investissent Mus\u00e9es, Galeries, Centres d\u2019art, Maisons de la Culture, Institutions, Cin\u00e9math\u00e8que et Places publiques dans un parcours \u00e9clat\u00e9 entre ateliers et diffusions d\u2019\u0153uvres en tout genre … Continued<\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"acf":[],"_links":{"self":[{"href":"https:\/\/archee.uqam.ca\/wp-json\/wp\/v2\/posts\/1856"}],"collection":[{"href":"https:\/\/archee.uqam.ca\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/archee.uqam.ca\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/archee.uqam.ca\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/archee.uqam.ca\/wp-json\/wp\/v2\/comments?post=1856"}],"version-history":[{"count":2,"href":"https:\/\/archee.uqam.ca\/wp-json\/wp\/v2\/posts\/1856\/revisions"}],"predecessor-version":[{"id":1858,"href":"https:\/\/archee.uqam.ca\/wp-json\/wp\/v2\/posts\/1856\/revisions\/1858"}],"wp:attachment":[{"href":"https:\/\/archee.uqam.ca\/wp-json\/wp\/v2\/media?parent=1856"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/archee.uqam.ca\/wp-json\/wp\/v2\/categories?post=1856"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/archee.uqam.ca\/wp-json\/wp\/v2\/tags?post=1856"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
Un dossier ult\u00e9rieur sera consacr\u00e9 \u00e0 quelques unes de ces productions. En attendant nous pr\u00e9sentons dans ce num\u00e9ro des artistes fran\u00e7ais qui manipulent et r\u00e9actualisent, avec des dispositifs num\u00e9riques interactifs, des \u0153uvres cin\u00e9matographiques.\u00a0
Arch\u00e9e interroge Thierry Fournier et Pierre Carniaux, qui ont cor\u00e9alis\u00e9 l\u2019\u0153uvre duale,\u00a0Last Room\/D\u00e9pli,<\/em>\u00a0dont Fran\u00e7ois Prud\u2019homme tire une r\u00e9flexion.
Louise Poissant interroge les intrigantes man\u0153uvres que Thierry Guibert inflige \u00e0 des \u0153uvres embl\u00e9matiques de l\u2019histoire du cin\u00e9ma pour produire \u00e0 son tour des \u0153uvres singuli\u00e8res.<\/p>\n","protected":false},"excerpt":{"rendered":"