{"id":2356,"date":"2012-12-01T16:20:53","date_gmt":"2012-12-01T16:20:53","guid":{"rendered":"https:\/\/archee.uqam.ca\/?p=2356"},"modified":"2022-12-09T16:21:15","modified_gmt":"2022-12-09T16:21:15","slug":"decembre-2013-lignes-introductives-2","status":"publish","type":"post","link":"https:\/\/archee.uqam.ca\/decembre-2013-lignes-introductives-2\/","title":{"rendered":"D\u00e9cembre 2012 &#8211; Lignes introductives"},"content":{"rendered":"\n<p>Dans ce num\u00e9ro, et dans le prochain, Analays\u00a0 Alvarez Hernandez et Mariza Rosales Argonza pr\u00e9sentent un dossier sur l\u2019art latino-am\u00e9ricain en deux tomes. Dans le premier\u00a0 tome Veronica Sedano Alvarez, Nuria Carton de Grammont, Analays Alvarez Hernandez et Anelys Alvarez Mu\u00f1oz portent une r\u00e9flexion sur les fondements historiques de l\u2019art contemporain de l\u2019Am\u00e9rique Latine pour circonscrire les enjeux des arts m\u00e9diatiques, qui seront discut\u00e9s de fa\u00e7on plus approfondies dans la deuxi\u00e8me partie du dossier, \u00e0 para\u00eetre dans le prochain num\u00e9ro. Un portfolio de l\u2019artiste vid\u00e9aste et performeuse Claudia Bernal accompagne cette premi\u00e8re partie.<br>Hors-dossier, Tatiana Burtin propose un compte rendu du collectif\u00a0<em>Transm\u00e9diations. Travers\u00e9es culturelles de la modernit\u00e9 tardive<\/em>, dirig\u00e9 par Jean-Fran\u00e7ois Vall\u00e9e, Jean Klucinskas et Gilles Dupuis en hommage \u00e0 Walter Moser o\u00f9, entres autres, le texte de Gast\u00f3n Lillo portant sur le film\u00a0<em>Teta Asustada,\u00a0<\/em>le texte\u00a0<em>Voyages transculturel<\/em>\u00a0de Zil\u00e1 Bernd sur la notion \u00ab\u00a0d\u2019anthropophagie cuturelle \u00bb et celui de Timothy Reiss sur \u00a0\u00ab les histoires et g\u00e9ographies du baroque am\u00e9ricain \u00bb\u00a0 font chacun \u00e9cho, sous un angle diff\u00e9rent, au pr\u00e9sent dossier.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Dans ce num\u00e9ro, et dans le prochain, Analays\u00a0 Alvarez Hernandez et Mariza Rosales Argonza pr\u00e9sentent un dossier sur l\u2019art latino-am\u00e9ricain en deux tomes. Dans le premier\u00a0 tome Veronica Sedano Alvarez, Nuria Carton de Grammont, Analays Alvarez Hernandez et Anelys Alvarez Mu\u00f1oz portent une r\u00e9flexion sur les fondements historiques de l\u2019art contemporain de l\u2019Am\u00e9rique Latine pour &hellip; <a href=\"https:\/\/archee.uqam.ca\/decembre-2013-lignes-introductives-2\/\">Continued<\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[8],"acf":[],"_links":{"self":[{"href":"https:\/\/archee.uqam.ca\/wp-json\/wp\/v2\/posts\/2356"}],"collection":[{"href":"https:\/\/archee.uqam.ca\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/archee.uqam.ca\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/archee.uqam.ca\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/archee.uqam.ca\/wp-json\/wp\/v2\/comments?post=2356"}],"version-history":[{"count":4,"href":"https:\/\/archee.uqam.ca\/wp-json\/wp\/v2\/posts\/2356\/revisions"}],"predecessor-version":[{"id":2360,"href":"https:\/\/archee.uqam.ca\/wp-json\/wp\/v2\/posts\/2356\/revisions\/2360"}],"wp:attachment":[{"href":"https:\/\/archee.uqam.ca\/wp-json\/wp\/v2\/media?parent=2356"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/archee.uqam.ca\/wp-json\/wp\/v2\/categories?post=2356"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/archee.uqam.ca\/wp-json\/wp\/v2\/tags?post=2356"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}