{"id":4556,"date":"1998-05-01T00:05:25","date_gmt":"1998-05-01T00:05:25","guid":{"rendered":"https:\/\/archee.uqam.ca\/?p=4556"},"modified":"2023-03-14T18:29:24","modified_gmt":"2023-03-14T18:29:24","slug":"mai-1998-ou-va-lhistoire-de-lart","status":"publish","type":"post","link":"https:\/\/archee.uqam.ca\/mai-1998-ou-va-lhistoire-de-lart\/","title":{"rendered":"Mai 1998 – O\u00f9 va l’histoire de l’art<\/i>"},"content":{"rendered":"\n

Extraits<\/h2>\n\n\n\n

O\u00f9 va l’histoire de l’art contemporain?<\/em> Sous la direction de Laurence Bertrand Dorl\u00e9ac, Laurent Gervereau, Serge Guilbaut et G\u00e9rard Monnier. Paris: l’image<\/em> et l’\u00c9cole nationale sup\u00e9rieure des Beaux-Arts. 1997.<\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n

Le chapitre 2 de ce livre aborde la question suivante: \u00a0\u00bb Quand et comment d\u00e9bute l’histoire de l’art contemporain\/modern art? \u00ab\u00a0.<\/p>\n\n\n\n

Je vous propose les extraits des quatre auteurs suivants, votre libre r\u00e9flexion est donc sollicit\u00e9e: Pierre Daix, \u00c9ric Darragon, Marc Le Bot et Henri Zerner.<\/p>\n\n\n\n

Pierre Daix. \u00ab\u00a0L’art contemporain et l’exclusion de l’art moderne\u00a0\u00bb<\/h2>\n\n\n\n

\u00a0\u00bb Ce qui frappe un historien de l’art moderne dans l’art contemporain, ce n’est pas qu’il nie l’art moderne, c’est qu’il l’exclut de sa propre histoire. \u00a0\u00bb (p. 65)<\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n
\"\"<\/figure>\n\n\n\n

\u00c9ric Darragon. \u00ab\u00a0Quand l’histoire de l’art devient contemporaine ou le syndr\u00f4me des derni\u00e8res pages\u00a0\u00bb<\/h2>\n\n\n\n
\"\"<\/figure>\n\n\n\n

Marc Le Bot. \u00ab\u00a0Modernit\u00e9 : la mode et l’\u00e9ternit\u00e9\u00a0\u00bb<\/h2>\n\n\n\n
\"\"<\/figure>\n\n\n\n
\"\"<\/figure>\n\n\n\n

Henri Zerner. \u00ab\u00a0L’art contemporain commence-t-il en 1818?\u00a0\u00bb<\/h2>\n\n\n\n
\"\"<\/figure>\n\n\n\n

<\/p>\n","protected":false},"excerpt":{"rendered":"

Extraits O\u00f9 va l’histoire de l’art contemporain? Sous la direction de Laurence Bertrand Dorl\u00e9ac, Laurent Gervereau, Serge Guilbaut et G\u00e9rard Monnier. Paris: l’image et l’\u00c9cole nationale sup\u00e9rieure des Beaux-Arts. 1997. Le chapitre 2 de ce livre aborde la question suivante: \u00a0\u00bb Quand et comment d\u00e9bute l’histoire de l’art contemporain\/modern art? \u00ab\u00a0. Je vous propose les extraits des quatre auteurs suivants, … Continued<\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[5],"tags":[201],"acf":[],"_links":{"self":[{"href":"https:\/\/archee.uqam.ca\/wp-json\/wp\/v2\/posts\/4556"}],"collection":[{"href":"https:\/\/archee.uqam.ca\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/archee.uqam.ca\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/archee.uqam.ca\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/archee.uqam.ca\/wp-json\/wp\/v2\/comments?post=4556"}],"version-history":[{"count":3,"href":"https:\/\/archee.uqam.ca\/wp-json\/wp\/v2\/posts\/4556\/revisions"}],"predecessor-version":[{"id":4636,"href":"https:\/\/archee.uqam.ca\/wp-json\/wp\/v2\/posts\/4556\/revisions\/4636"}],"wp:attachment":[{"href":"https:\/\/archee.uqam.ca\/wp-json\/wp\/v2\/media?parent=4556"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/archee.uqam.ca\/wp-json\/wp\/v2\/categories?post=4556"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/archee.uqam.ca\/wp-json\/wp\/v2\/tags?post=4556"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}